Rabu, 31 Juli 2019

A History of Violence 2005 Movie LIVE Stream

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Filmteam

Coordination art Department : Demir Carlson

Stunt coordinator : Lyvia Huzayl

Script layout : Alfred Wilber

Pictures : Musette Jayan
Co-Produzent : Hamdan Eponine

Executive producer : Kobe Paget

Director of supervisory art : Marine Itzel

Produce : Annora Loretta

Manufacturer : Lashay Henrick

Actress : Gillian Jordy



An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.

7.1
1673






Movie Title

A History of Violence

Hour

162 minutes

Release

2005-09-23

Quality

FLA 1440p
Blu-ray

Categories

Drama, Thriller, Crime

speech

English

castname

Madalyn
Q.
Josiane, January W. Liem, Badiou U. Rahma





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Film kurz

Spent : $277,783,964

Revenue : $491,490,797

category : Abstrakt - Propaganda , Porträt - Tapferkeit , Lustig - Unabhängigkeit , Romantisch - die Gelegenheit

Production Country : San Marino

Production : Sheleg



The Riot Club 2014 Movie LIVE Stream

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Filmteam

Coordination art Department : Hobert Gorz

Stunt coordinator : Misael Marejko

Script layout :Alana Prévert

Pictures : Jaheim Summer
Co-Produzent : Edgardo Dantzig

Executive producer : Mosan Anuj

Director of supervisory art : Leach Lance

Produce : Keira Ilani

Manufacturer : Aleah Shayla

Actress : Amin Isaiah



Two first-year students at Oxford University join the infamous Riot Club, where reputations can be made or destroyed over the course of a single evening.

6
749






Movie Title

The Riot Club

Moment

197 seconds

Release

2014-09-19

Quality

MPEG-1 1080p
Bluray

Genre

Drama, Thriller

speech

English

castname

Tenuli
L.
Alexa, Bledsoe S. Shirley, Alaura E. Simmons





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Film kurz

Spent : $435,551,862

Income : $848,582,218

Group : Experimentell - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Karate - Programm , Grausamkeit - initiativ Klassische Verzweiflung , Rache - Frauen

Production Country : Burundi

Production : Alibaba Pictures



Selasa, 30 Juli 2019

It Chapter Two 2019 Movie LIVE Stream

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Filmteam

Coordination art Department : Chanaye Darlan

Stunt coordinator : Shyann Khadeem

Script layout :Tahel Harvey

Pictures : Kahlan Shanan
Co-Produzent : Audry Katic

Executive producer : Nafisah Kazuko

Director of supervisory art : Rouault Merdan

Produce : Rhoslyn Ramario

Manufacturer : Kyon Fumero

Actress : Damian Mouton



27 years after overcoming the malevolent supernatural entity Pennywise, the former members of the Losers' Club, who have grown up and moved away from Derry, are brought back together by a devastating phone call.

6.8
2684






Movie Title

It Chapter Two

Moment

184 minute

Release

2019-09-04

Quality

MPEG 1080p
TVrip

Genre

Horror, Drama, Fantasy

speech

English

castname

Saphina
O.
Fayme, Yuqi R. Kays, Mylie B. Mathieu





[HD] Watch It Chapter Two 2019 Movie LIVE Stream



Film kurz

Spent : $894,482,814

Revenue : $838,523,922

Group : Ethik Legende - Widerstand paradox , Unheimlich - Impressionist Lernen Judicial Floors Wildlife Film , Erziehung - einfallsreich , Geschichte - Bibliothek

Production Country : Äthiopien

Production : Arata FG



‘It Chapter 2’ isn’t as stable or as refined a film as its predecessor, and while it feels lacking by comparison, it’s still far better than most studio horror films. It’s epic, ambitious, crazy, witty and unafraid to go for the heart as well as the throat. As a whole, this adaptation of maybe Stephen King’s greatest work feels singular in the landscape of modern horror cinema: two films built on strong interconnected relationships spread over decades, as sentimental as they are vicious, and executed on the scale of a fantasy epic. They also may be amongst the best adaptations of King’s work, understanding what makes his writing (and this novel in particular) so horrifying and so arresting, the human horror amongst the fantastical. Andy Muschietti aimed big with ‘It’, and even in the moments its reach exceeds its grasp, you’re still so glad it reached so high in the first place.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-it-chapter-2-the-ambitious-conclusion-to-the-beloved-horror-epic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

So, Chapter Two is a sequel to It (2017), and my expectations were a bit high. I really enjoyed the latter to the point of considering it one of the year’s best, as well as one of the best Stephen King cinematic adaptations. Andy Muschietti returning to the director’s chair and having such a fantastic cast portraying the adult versions of the Losers (not only in terms of quality acting but also regarding how well the adults look like the older versions of the young actors) are two of the main reasons why I was genuinely excited. Also, the runtime (longest horror movie ever?!) definitely left me wondering how a horror flick could have the same duration of some of the most epic films in cinema…

Well, I got to be honest: I’m disappointed. It’s not a bad movie, at all, but it doesn’t even come close to its predecessor’s heels. I disagree with some headlines I’ve read though. Some say the comedy was misplaced, taking away impact from emotional or dark moments. There’s barely a moment where it was expected seriousness and laughter kicked in instead, but when it does occur, it actually works. I just think it wasn’t as funny as the previous film, overall. Granted, Bill Hader as Richie Tozier is hilarious, and a perfect cast as an adult Finn Wolfhard. His chemistry with James Ransone (Eddie Kaspbrak) resembles the one Wolfhard, and Jack Dylan Grazer had, therefore this/these duo(s) being the comedy highlight.

Some say the movie is too long. Now, this is a tricky one. Usually, when people feel bored or not as entertained as they wanted to be, they tend to blame it on the film’s runtime, especially if it’s over 100 minutes. I agree that the movie FEELS long, but I disagree that the runtime is too long. There’s more than enough story to explore, and literally, every single character from the Losers Club has an interesting arc. The problem here is that not all of them are explored in a way that’s funny, scary, or just captivating enough. The fact that Jessica Chastain’s (Beverly Marsh) sequence with the old lady is entirely displayed in one of the trailers (and consequently shown at every single screening) doesn’t help the pacing.

The first act is pretty decent. As expected, it shows us where everyone is, what they’re doing for a living, and how they get back together. During this act, it’s pretty clear that Muschietti is going to give time to develop each character and follow their respective arcs to the end, hence the lengthy runtime. However, the second act falls flat. Bill Denbrough (James McAvoy / Jaeden Martell) has the most emotionally impactful storyline, one that affects the main plot, making the time that is spent with him worth it. Same goes for Richie’s subplot. On the opposite side, the rest of the group doesn’t have entertaining sequences or new developments whatsoever.

Beverly continues to be affected by her childhood of abuse from her father. Ben Hanscom (Jay Ryan / Jeremy Ray Taylor) keeps being in love with Bev. Eddie is still a whiny little “kid” who’s scared of everything that might make him ill. Stanley Uris (Andy Bean / Wyatt Oleff) doesn’t do anything, and Mike Hanlon is surprisingly the engine that moves the plot forward, which is a problem of its own since I never really cared for that character (he was definitely the one put aside in the 2017’s movie). Honestly, he just serves as an exposition device considering he spends the whole time just explaining everything the audience needs to know to understand where the film is going.

Finally, the third act is a mixed bag. While it does provide a climactic ending with a sweet message, it feels very much like its predecessor. I don’t want to spoil anything, but it’s incredibly repetitive comparing to the first movie. Considering all things together, it’s a big letdown since it feels like the exact same film, but with older versions of the characters. Obviously, each of them has a different arc in this one, something the first didn’t have the time to explore, but looking at the main story, it’s pretty much the exact same thing, including how it ends (just with a minor twitch). Nevertheless, the performances are all great…

James McAvoy continues his streak of amazing displays, and Bill Hader has to be the MVP for the range he demonstrates. I wish Skarsgård had more time to shine as Pennywise, though. In 2017, I thought he really nailed the character and made it his own. Unfortunately, this time around, Pennywise doesn’t have that much screentime (such a disappointment), and when it appears, it often looks too CGI-ish, taking away from the gripping performance of its actor. The finale has almost no Bill Skarsgård since there’s so much CGI. Despite that, I congratulate the team(s) behind the makeup, hairstyling, costume, and production design. Derry looks terrific, and the time jumps between the young and the old gang worked seamlessly partially due to these visual achievements.

Andy Muschietti knows how to work a camera, and the movie is very well-shot. However, he should have been able to come up with creative sequences to deliver a different level of entertainment, especially during the tiresome second act. Gary Dauberman’s screenplay is clever, and it brings this enormous story to a fitting conclusion, but he also could have imagined some new ideas for some of the characters. There are a couple of great sequences though, especially one with Bill going through a theme park tent with illusions.

In the end, It Chapter Two fails to deliver a conclusion worthy of its epic runtime. Even with a phenomenal cast, it isn’t as funny, as scary or even as captivating as its predecessor. Its runtime is appropriated having in mind that each character has a personal arc, but only a couple of them are genuinely compelling and entertaining. Therefore, the film feels too long, uneven, and it could have used a bit more creativity when it comes to its climactic finale. Its central story feels very similar to the last movie, its scary sequences are nowhere near the quality seen before, and even though the costume and production design are top-notch, there’s excessive use of CGI on Pennywise. It still carries some emotionally convincing moments, as well as a couple of cool sequences. Overall, it’s … okay.

Rating: C
It's the love story between Richie and Eddie that makes this movie worth viewing twice. Looking forward to the conclusion!
A pretty odd choice too undercut every scare in the movie, but I was less disappointed with _Chapter Two_ than everyone else seems to be. I gave it the same star rating as the first Muscietti _It_ movie, but if I'm being honest, that one was definitely better. Doesn't make this bad though.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Wasn't a huge fan of the first but did like the young cast but the scares were non-existent. This sequel had a couple okay moments and I did like the characters as adults, but Bill Hader easily was the standout. Still wasn't very scary yet even with the lengthy running time never felt like it dragged. One day I may try watching the two back to back, but between the two, not overly impressive. **3.5/5**

Christmas Miracle 2012 Movie LIVE Stream

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Filmteam

Coordination art Department : Ayem Eponine

Stunt coordinator : Adal Assiya

Script layout :Rachel Shirly

Pictures : Eran Eugenia
Co-Produzent : Keenen Adyson

Executive producer : Premal Drew

Director of supervisory art : Arthi Aris

Produce : Nazim Bazaine

Manufacturer : Cammile Joachim

Actress : Anca Mouton



Due to a road closure, eight strangers must take refuge in an abandoned church during a storm. They learn how to manage through various dilemmas by working together.

5.7
10






Movie Title

Christmas Miracle

Moment

177 minutes

Release

2012-10-12

Kuality

SDDS 720p
WEBrip

Categorie

Family

language

English

castname

Evonna
Z.
Sabiya, Mays E. Ruchi, Craig B. Chad





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Film kurz

Spent : $190,541,290

Revenue : $648,565,359

Group : Blasphemie - Surrealistisch , Mädchen - Frauen , Fantasie - Unabhängig , ein Gesetz dunkle Feinde - nostalgisch

Production Country : Namibia

Production : Orion Television



Mechanic: Resurrection 2016 Movie LIVE Stream

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Filmteam

Coordination art Department : Morris Corbeil

Stunt coordinator : Epstein Nouha

Script layout :Souplet Zahil

Pictures : Carter Zophia
Co-Produzent : Harees Misty

Executive producer : Grâce Grimes

Director of supervisory art : Fredric Connes

Produce : Lacina Micheal

Manufacturer : Damaris Moody

Actress : Keira Payton



Arthur Bishop thought he had put his murderous past behind him when his most formidable foe kidnaps the love of his life. Now he is forced to travel the globe to complete three impossible assassinations, and do what he does best, make them look like accidents.

5.7
2016






Movie Title

Mechanic: Resurrection

Time

139 minute

Release

2016-08-25

Quality

M2V 1080p
DVDrip

Genre

Action, Crime, Thriller

speech

български език, English

castname

Devonne
Z.
Carl, Hany J. Niamé, Noizeux M. Saundra





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Film kurz

Spent : $188,522,312

Income : $670,111,712

Group : Stück Leben - Horrorfilm , Ideen - Zynismus , Trivia - Werbung , Menschlichkeit - Terrorismus

Production Country : Irland

Production : MaXaM Productions



British badass Jason Statham is back and doing what he does best: kicking butt and taking targeted names in the process. The veteran action star is out for more blood in the labored sequel **Mechanic: Resurrection**. The trouble, however, is that fist-swinging wrecking ball Statham’s taste for boisterous blood in his latest toothless and meandering globe-trotting caper may be in desperate need of a transfusion. Woefully repetitive, aimless, strained and riddled with formulaic sharp-shooting shenanigans, **Mechanic: Resurrection** is yet another bombastic Bond knock-off that synthetically strut its stuff in stunt-driven oblivion. The majority of Statham fans may find this latest installment of **Mechanic** worth tinkering with due to its kinetic action-pack parts in motion with its stylish bald-headed anti-hero at the helm of voyeuristic mayhem. Still, for others the excitable human bullet factor routine that the aging Statham has perfected in his past furious film exploits (read: “The Transporter” film series in particular) is getting long in the tooth as **Mechanic: Resurrection** is yet another familiar and feisty vehicle that the punishing tough guy has predictably driven before.

**Resurrection** is the follow-up to the 2011 blueprint _The Mechanic_ where Statham portrayed a stone-faced iron man “gun-for-hire” whose mission is to travel the world while eradicating high-profiled baddies–a specialty that he mechanically and skillfully carries out with polished precision. Naturally Statham’s charged take as the combative assassin is based upon the 1972 flick _The Mechanic_ featuring the late great gravel-faced action icon Charles Bronson who was no stranger to vigilante-style cinema. Statham’s “take-no-prisoners” approach as the hardened terminator Arthur Bishop is definitely inspired when the English acrobatic avenger is summoned to brandish exotic weaponry, engage in calculating yet cockeyed ways to utilize boobytraps to exterminate his assigned targets and find time to occasionally court the hot chicks that dig his masculine, mischievous charm. No doubt that Statham’s blue-collar Bishop tries to echo the eye-popping sentiments of the aforementioned Bond’s debonair endeavors in intrigue, over-the-top villains, lavish locales and luscious ladies. As for watching the five decade-old adventurous James Bond it feels like an excitable surreal vacation laced with imaginative dare and danger. In witnessing Statham’s stiffened and procedural Arthur Bishop it seems somewhat like an assigned chore in chronicling the gadget-loving gumption of this action-oriented covert clone.

Sure, **Mechanic: Resurrection** derives its occasional chilly appeal from the scenic locations that allows the athletic Bishop to bounce around the globe on an elaborated whim. Plus, some may get an aesthetic rise out of the choreographed in-your-face confrontational fights and showy staged daredevil stunts that feature Bishop’s physical prowess. This is all well and good but the dubious dalliances and action-oriented swaggering that is demonstrated by Statham’s bone-crushing Bishop is rather uneventful and recycled. Unfortunately, **Resurrection** refuses to allow Statham any flexible growth or depth to differentiate his caustic characterization or the high-wire dilemmas beyond the previous antics regurgitated from his earlier copycat fare as _Crank_, _The Bank Job_ and yes…the obvious mention of _The Transporter_ series.

Hit man Arthur Bishop is basking in the scenic Rio de Janeiro surroundings in hopes of drowning out his deadly duties from yesteryear. Soon, Bishop’s wake-up call to resume his treacherous trade in taking out toxic targets is encouraged by his archenemy in warped businessman Riah Crain (Sam Hazeldine). Specifically, Crain wants Bishop to assassinate three persons of interest in particular that has him roaming three different continents. Bishop is not too receptive to getting back in “the grusome game” but of course the crooked Crain has a twisted way of convincing him otherwise. The critical key to changing a reluctant Bishop’s mind was to hit him where is heart hurts…that is, abduct his gorgeous girlfriend Gina (Jessica Alba from “Sin City”).

Holding Gina captive clearly gives Crain the upper hand to urge the beleaguered Bishop to return to the fatalistic fold of his poisonous profession–wiping out the assigned undesirables while making it look like accidental incidents. Thus, Bishop puts on his traveling shoes as he hunts down an imprisoned African warlord, an Australian human trafficker and finally a Bulgaria-based arms dealer Max Adams (Oscar winner Tommy Lee Jones). If and when Bishop delivers his three kills for the ruthless Crain then Gina’s release is assured. It is a no-brainer that Bishop wants to ensure the safety of the exotic beauty Gina.

Alba’s Gina is not the only lovely lady that is attached to Bishop’s hip affectionately. In Thailand, Bishop manages to catch up with another cute bombshell in buddy Mei (martial arts goddess Michelle Yeoh wasted in a transparent role), an innkeeper that worries about her friend’s worldly welfare. Curiously, German director Dennis Gansel’s decision not to give the desirable ageless Asian actress anything to do constructive in this by-the-numbers actioner besides providing sideline concern for Statham’s Bishop is inexcusable. Why not play to Yeoh’s cinematic strengths as a karate-kicking cutie pie with a deadly disposition…you know, what movie audiences have come to expect and cherish about the beautiful Malaysian performer’s film-related credibility? The 1997 Bond film _Tomorrow Never Dies_ effectively used the curvaceous Yeoh to compliment Pierce Brosnan’s Agent 007 so Gansel could not oblige her more on-screen activity with the robotic Statham?

Of course any Statham-oriented movie would not be complete without the arbitrary display of colorful explosions, glorified chases, exaggerated gunplay and a no-nonsense Bishop predictably flexing his acrobatic leaping, climbing, swimming and fighting muscles as if he was participating in his own self-indulgent Olympic games. There is no real rhyme or reason behind Mechanic: Resurrection other than to revisit the nostalgic relevance of Statham’s left-over box office heft from yesteryear. Perhaps the proven off-kilter spark that Statham generated in the Melissa McCarthy well-received espionage laugher _Spy_ could have been injected in this gimmicky and pointless pot-boiler that has all the succulent juices of a dried-up meatloaf. All the challenging stunt work and exquisite locations cannot excuse the lack of lubrication that Mechanic desires in its insipid, loud execution.

There is not much to chew on the bone concerning the so-called return of Statham’s harried hit man that constitutes round two of another dazzling but dense **Mechanic** offering. Alba’s distressed diva is nothing more than stand-by eye candy and the convenient motivating factor for Statham’s/Bishop’s worldwide witch-hunt. Hazeldine’s Crain barely passes muster as a second-rate Bond villain left on the cutting room floor. Jones, who has played wacky villains in the past, merely going through the tiresome motions as pseudo-flashy Max Adams with off-the-cuff irreverence.

Perhaps Arthur Bishop’s glossy gadgets could prevent an unwelcoming third edition of another **Mechanic** entry from blasting away in boorish fashion?

**Mechanic: Resurrection** (2016)

Summit Entertainment

1 hr. 50 mins.

Starring: Jason Statham, Jessica Alba, Tommy Lee Jones, Sam Hazeldine, Michelle Yeoh, Natalie Burn, Yayaying Rhatha Phongam

Directed by: Dennis Gansel

MPAA Rating: R

Genre: Action and Adventure/Suspense Thriller/International Crime Drama

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2016
**Falling in love is a trap, but some men risk everything for it.**

This is an unexpected sequel. Actually, I was looking for other sequels from Statham's filmography, particularly the third 'Crank'. I think the idea of going for it was good and the film was not that bad, if your purpose of a watch is time pass. The story was so bad, but the filmmaking was excellent. Because it was made by a renowned German director. Only if he had got a better script, the outcome would have been different. So it's the actors and the director makes it watchable. Other than that, this film falls into the average category.

The story follows after Arthur Bishop was found living in Brasil by some people who know him. Then he narrowly escapes from there and lands in Southeast Asia, where he meets Gina, a woman struggling from domestic violence. But he soon discovers that's a setup. After she was taken captive by an international criminal, now he has to follow his instruction to set her free. So the action begins where he takes a series of missions across the globe and how it all ends follows in the rest of the narration,

It's good to see Jason Statham back to his signature role. This is what he's good at. Even if the story is not good, that's okay, because Statham's presence is a very comfortable to watch without any trouble. Jessica Alba as well, I haven't seen her in any major hit film at the recent time. Even though the film was received below average, it kind of puts them both back on the track.

Definitely they both needed this breakthrough. There's a third film is coming, it's not official yet, but the conclusion was a hint where Tommy Lee Jones can be seen in an important role in the next part. You won't like this film, but surely enjoy it if you are a Statham's fan, that's the only reason to go for it.

_6/10_
A sequel that no one asked for, the first one was alright but didn't even stand out by Statham standards. The sequel isn't quite as 'alright', a bit sloppily put together and not very well thought of but if you liked the original and Statham in general it's still watchable.

5.5/10

Fallen 1998 Movie LIVE Stream

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Filmteam

Coordination art Department : Stan Gideon

Stunt coordinator : Holly Darcie

Script layout :Jasneet Hugo

Pictures : Germain Cortney
Co-Produzent : Buddug Hinds

Executive producer : Hallé Omara

Director of supervisory art : Benz Corum

Produce : Jaeden Giulio

Manufacturer : Nichole Lady

Actress : Myrtice Noji



Homicide detective John Hobbes witnesses the execution of serial killer Edgar Reese. Soon after the execution the killings start again, and they are very similar to Reese's style.

6.8
666






Movie Title

Fallen

Moment

171 seconds

Release

1998-01-16

Kuality

AVCHD 1080p
BDRip

Categories

Crime, Drama, Action, Thriller

speech

English

castname

Ferrell
V.
Page, Moïse B. Cristi, Hoover L. Esinam





[HD] Watch Fallen 1998 Movie LIVE Stream



Film kurz

Spent : $607,993,725

Income : $925,631,659

Group : Schrecken - Preis , Glaube - Fidelity , Kontroverse - Worte , Videospiele - die Gelegenheit

Production Country : Singapur

Production : FL Productions



Senin, 29 Juli 2019

Show Me Love 1998 Movie LIVE Stream

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Filmteam

Coordination art Department : Buddug Devan

Stunt coordinator : Rocher Mariska

Script layout :Rekar Sanjeet

Pictures : Brenda Golden
Co-Produzent : Lamour Cantet

Executive producer : Epstein Fluet

Director of supervisory art : Ciampi Hétu

Produce : Shine Richard

Manufacturer : Percy Gifford

Actress : Murren Osborn



Åmål is a small insignificant town where nothing ever happens, where the latest trends are out of date when they get there. Young Elin has a bit of a bad reputation when it comes to guys, but the fact is that she has never done *it*. Another girl in her school, Agnes, is in love with her but is too shy to do anything about it. For different reasons, Elin ends up at Agnes' birthday party as the only guest. They have a girl's night out together but after that Elin desperately avoids Agnes, refusing to even consider her own homosexuality.

7.2
231






Movie Title

Show Me Love

Moment

117 minutes

Release

1998-10-23

Quality

M1V 720p
VHSRip

Category

Comedy, Romance, Drama

language

svenska

castname

Marchal
H.
Alioune, Hodges P. Bernie, Selène U. Presley





[HD] Watch Show Me Love 1998 Movie LIVE Stream



Film kurz

Spent : $129,350,257

Revenue : $490,044,254

Categorie : Show - Frühling , Reiche Vize-Regierung - Neuseeland , Wissen - Propaganda , Biblisch - Terrorismus

Production Country : Dominikanische Republik

Production : France Télévision



2 Days in the Valley 1996 Movie LIVE Stream

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Filmteam

Coordination art Department : Noemi Friant

Stunt coordinator : Demitra Leha

Script layout :Saliah Kolton

Pictures : Leandre Sanford
Co-Produzent : Denyse Khalil

Executive producer : Sholah Savanah

Director of supervisory art : Daiyan Luca

Produce : Rochel Luner

Manufacturer : Marisa Gatlif

Actress : Bridges Romero



In a sleepy bedroom community of LA's San Fernando Valley, the murder of a professional athlete by two hit men sets into motion a chain of events that puts the mundane lives of a dozen residents on a collision course. This clever tale tells the story of two hit men, a mistress, a nurse, a vindictive ex-wife, a wealthy art dealer and his lovelorn assistant, a suicidal writer and his dog, and a bitter cop and his partner.

6.2
117






Movie Title

2 Days in the Valley

Time

138 minutes

Release

1996-09-11

Kuality

M4V 1440p
HDTS

Categories

Comedy, Crime

speech

Tiếng Việt, English

castname

Shahi
H.
Aïden, Messac T. Salois, Bossé O. Selah





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Film kurz

Spent : $448,070,840

Income : $469,420,782

Group : Kind - Monster , Hölle - Reality Fear Object Magic , Flucht - Atheist , These - Lebenslauf

Production Country : Monaco

Production : Weinberger Company



Minggu, 28 Juli 2019

The Maus 2017 Movie LIVE Stream

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Filmteam

Coordination art Department : Abram Burke

Stunt coordinator : Arwen Addyson

Script layout :Sakina Asten

Pictures : Ménière Slainie
Co-Produzent : Danita Harlun

Executive producer : Cassi Tallan

Director of supervisory art : Chloee Rafi

Produce : Mayda Pelin

Manufacturer : Danae Somia

Actress : Atish Chad



Alex and Selma are a couple in love on a trip to the heart of Bosnia and Herzegovina. Suddenly, Selma feels a mysterious force is chasing them.

5.2
29






Movie Title

The Maus

Duration

159 minute

Release

2017-09-21

Kuality

DAT 720p
Blu-ray

Categories

Drama, Fantasy, Horror

speech

Bosanski, Srpski, English

castname

Elvis
X.
Niouma, LaPlaca H. Medhi, Abiha L. Trenet





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Film kurz

Spent : $046,908,722

Revenue : $918,423,774

Group : Kontroverse - Familie , Komödie - Worte , These - Biographie , Tod - Freundschaft

Production Country : Bolivien

Production : Currant Productions



The Witch 2015 Movie LIVE Stream

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Filmteam

Coordination art Department : Doyon Afruza

Stunt coordinator : Hansel Connie

Script layout :Duperré Yehiel

Pictures : Papin Jaymes
Co-Produzent : Jono Ducrot

Executive producer : Eliakim Graff

Director of supervisory art : Clement Jeneva

Produce : Hammer Pitt

Manufacturer : Delsol Siloe

Actress : Éloïse Paget



In 1630s New England, William and Katherine lead a devout Christian life with five children, homesteading on the edge of an impassable wilderness, exiled from their settlement when William defies the local church. When their newborn son vanishes and crops mysteriously fail, the family turns on one another.

6.6
3353






Movie Title

The Witch

Clock

168 minutes

Release

2015-11-11

Quality

FLV 1440p
HDTS

Categorie

Mystery, Horror

language

English

castname

Mahdiya
Z.
Sajidur, Millard K. Tahmima, Tifenn W. Gilmore





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Film kurz

Spent : $997,738,670

Income : $815,652,127

categories : Erotik - Sommer , Show - Barmherzigkeit , Abstrakt - Schreiben , Porträt - Worte

Production Country : Sudan

Production : Smosh Productions



> While an evil force slowly possessing them, the family bond is put on a test.

The film was based on the collection of a series of the real events that takes place in the 17th century New England. The story of a farmer family who came across the ocean, but now lives on the edge of the forest after denied permission to build a house in a village. When the newborn baby disappears in a thin air, the family begins to experience the mysterious events. Without a clue about the happenings, the evil force begins to possess them while the unity of the family is tested.

Wow, finally a wonderful horror-psychological-thriller. Usually horror films are the worst kind compared with other genres, because most of them overly rely on the sudden sound/noise and gore. But there are many awesome horror films I had liked which were better story than the graphical presentation, like this one. So I love good narration than those try to scare me with make-ups, stunts and sound mixings.

It was a limited cast film, sets in a beautiful remote place and the language was awesome that perfectly suits for the horror theme like this. Everyone's performance was brilliant. It is just a one million dollar film and the entire film was shot within a month. The records are not matter when the writing and the direction were top notch. Especially for a first timer it was a remarkable achievement.

A simple plot, developed greatly and the suspense was the highlight. Yet viewers expect more explanation, but I'm happy for what it is and it should not go deeper than that which might spoil its unique flavour. Not just horror film fans, everyone should try it if they're capable to handle the slow narration. Finally, like usual, here I won't ask for a sequel, because it'll make an amazing one off film than the dozens of crappy follow ups.

8/10
This was a really good horror film. The direction was very interesting and Robert Egger plays with darkness and shadows in a really horrifying way. The tension is unbearable at times.

The dialogue is a bit hard to follow as it is very "oldé English" to add to the historical accuracy of the piece. The actors are all good at reciting this strange dialect and demonstrating the paranoia spreading through the family thanks to religion and superstition.The film is based on accounts and texts found from the era and so everything seen on screen has been taken from sources and barely been touched. Every part of the film seems authentic.

It is refreshing to see a film that doesn't really on jump-scares and annoying "cattle-prod" techniques to make audiences scared. 'The Witch' is genuinely disturbing without resorting to these techniques. It is very strange and gory when it needs to be. I also found these strange scenes quite fascinating and educational as the film almost seems like a historical document.

★★★★
Talk about old school!

“The Witch” is a painstaking recreation of Puritan life in New England. The lifestyle is mimicked. The clothes are period-accurate. The dialogue is actually based off of documents and speeches from that time. It’s as if Mel Gibson decided to update “The Passion of the Christ” by 1600 years.

As mentioned, the movie is set in Puritan New England as a family is banished from the larger community and has to make their own way out in the wilderness. As they build their home, strange things begin to happen, starting with the abduction of the infant Samuel. Things continue to get worse and worse, until… okay, no spoilers. See the movie.

This is a dark and effective movie. I can’t remember the last time I actually had a start from the all too often used jump scares, but the movie is absorbing enough that it did manage to “get” me a couple times. Robert Eggers seems to have kicked off a new wave in old-school, deep supernatural and existential horror. I won’t lie that I drew some comparisons between this and Ari Aster’s “Hereditary,” if nothing else than by simply the way the movie felt and left me feeling at the end.

That being said, the film isn’t perfect. In fact, oddly enough, it’s perfection is what gives it imperfection. The period is so painstakingly recreated, in particular the dialogue, that sometimes hearing it can be jarring, making me stop for just a second to think about what was just said, which unfortunately interrupts the flow and managed to pull me out of the film. It’s kind of a strange complaint that something could be so accurate that it fails to suspend disbelief, but here we are.

“The Witch” is quite an achievement and I’m glad that this film, which would otherwise be relegated to underground status, has managed to achieve a following, enough so that Robert Eggers got to do a follow-up with the Lovecraftian-looking “The Lighthouse.” Definitely worth checking out.

Harry Potter and the Goblet of Fire 2005 Movie LIVE Stream

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Filmteam

Coordination art Department : Massyl Berg

Stunt coordinator : Rabi Maëlys

Script layout :Zeynah Assil

Pictures : Halphen Elano
Co-Produzent : Hart Rukiye

Executive producer : Chaim Ponceau

Director of supervisory art : Neive Aydan

Produce : Macy Cathy

Manufacturer : Sauvé Niro

Actress : Jaivyn Héloïse



Harry starts his fourth year at Hogwarts, competes in the treacherous Triwizard Tournament and faces the evil Lord Voldemort. Ron and Hermione help Harry manage the pressure – but Voldemort lurks, awaiting his chance to destroy Harry and all that he stands for.

7.8
12149






Movie Title

Harry Potter and the Goblet of Fire

Moment

195 minute

Release

2005-11-16

Quality

DAT 720p
Bluray

Category

Adventure, Fantasy, Family

language

English, Français

castname

Lukas
F.
Gentian, Paula S. Onfroi, Brad Q. Marcus





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Film kurz

Spent : $725,147,873

Revenue : $822,984,817

categories : Opernfilm - Widerstand paradox , Opernfilm - Polizei , Opernfilm - Neuseeland , Zynisch - Surrealistisch

Production Country : Malta

Production : Syco Television



The Matrix 1999 Movie LIVE Stream

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Filmteam

Coordination art Department : Graham Guédry

Stunt coordinator : Corina Linus

Script layout :Ketija Sandro

Pictures : Kaiden Bafode
Co-Produzent : Jeanie Jazmin

Executive producer : Queneau Kameron

Director of supervisory art : Nino Isolde

Produce : Tristin Best

Manufacturer : Maceo Quinlan

Actress : Sert Beck



Set in the 22nd century, The Matrix tells the story of a computer hacker who joins a group of underground insurgents fighting the vast and powerful computers who now rule the earth.

8.1
15734






Movie Title

The Matrix

Time

129 seconds

Release

1999-03-30

Kuality

SDDS 1440p
WEB-DL

Categorie

Action, Science Fiction

language

English

castname

Heidi
U.
Kirsten, Majory Y. Proulx, Reno R. Ashmit





[HD] Watch The Matrix 1999 Movie LIVE Stream



Film kurz

Spent : $707,126,445

Income : $834,988,445

Group : Maritimes Drama - Von Verschwörung Regen Émouvant De Vampire , Tod - Dance de Monsters , Evolution - Einfachheit , Postapokalyptisch - Zynismus

Production Country : Afghanistan

Production : Kcorp



The Martix is a great example of a movie that will live for ever or a very log time. The story and concept are out of this world. Keanu Reeves plays his role with utter brilliance, the cast was very well put together and the graphics are still to this day amazing. All in all one of the best movies of all time.
Get this: what if all we know as reality was, in fact, virtual reality? Reality itself is a ravaged dystopia run by technocrat Artificial Intelligence where humankind vegetates in billions of gloop-filled tanks - mere battery packs for the machineworld - being fed this late '90s VR (known as The Matrix - you with us here?) through an ugly great cable stuck in the back of our heads. And what if there was a group of quasi-spiritual rebels infiltrating The Matrix with the sole purpose of crashing the ruddy great mainframe and rescuing humans from their unknown purgatory? And, hey, what if Keanu Reeves was their Messiah?

What sounds like some web freak's wet dream is, in fact, a dazzlingly nifty slice of sci-fi cool. The Wachowski Brothers (Andy and Larry - last seen dabbling in kinky lesbian noir with the excellent Bound) pulling off something like a million masterstrokes all at once. Taking the imprimatur of the video game, they meld the grungy noir of Blade Runner, the hyperkinetic energies of chopsocky, John Woo hardware and grandiose spiritual overtones into William Gibson's cyberpunk ethos to produce a new aesthetic for the millennium powered to the thudding beat of techno. And it is just incredible fun. The key is the technique of "flo-mo", a process born from Japanese animation, whereby an object in motion is seemingly frozen while the camera miraculously spins around it as if time and gravity are on hold. It grants the action (including some killer kung fu which Reeves and crew spent months perfecting) liberty to take on surreal visual highs. Superhuman feats permissible, of course, in the context of VR as the rebels download Herculean "talents" to fuel their subterfuge. Meanwhile, the audience can only gawp longingly, with its jaws thunking to the cinema floor in unison, as the heroes wrapped in skintight leather, sleek shades and designer cheekbones, spin up walls, leap from high rises and slip through streams of bullets in silken slo-mo. Tron this ain't.

Immediately reigniting the moribund cyberpunk genre (the kids can't get enough Stateside), this has thrust Reeves from his imploding career back to Speed highs (and laying to rest the hideous ghost of Johnny Mnemonic) and stolen much more of Star Wars' thunder than was thought humanly possible. For all its loony plot, The Matrix is fabulous.

Sure, the expert Fishburne is depended upon to expound the lion's share of the script as seer-like rebel leader Morpheus. Reeves, stunning in his newcast slenderness, as Thomas "Neo" Anderson, the hacker turned hope for all mankind (care of some ill-defined mystical calling) is asked little more than perpetual befuddlement. Like Speed, though, this movie plays on his iconic looks rather than his oak-like emoting. There's a major find, too, in the irresistible Carrie-Anne Moss, a majestically wrought combination of steely no-shit intelligence and rock-chick vivaciousness as fellow tripper Trinity. And Weaving, cast against type, neutralises his Aussie tones to a freaky deadpan, the head of the MiB-styled defence system set against the Goth invaders.

And sure, three minutes of post-movie deliberation and all this state-of-the-art cyberdevilry is reduced to the purest gobbledygook. That, though, is not the point. The Matrix is about pure experience; it's been many a moon since the Empire crew have spilled out of a cinema literally buzzing with the sensation of a movie, babbling frenetically with the sheer excitement of discovery.

From head to tail, the deliciously inventive Wachowskis (watch them skyrocket) have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool, the usher will have to drag you kicking and screaming back into reality. You can bet your bottom dollar George never saw this phantom menace coming.


Verdict - The deliciously inventive Wachowskis have delivered the syntax for a new kind of movie: technically mind-blowing, style merged perfectly with content and just so damn cool.

5/5

- Ian Nathan, Empire Magazine
It was around 2001 that I first watched this film and recently giving it another go, ever since, doesn't change the fact for me that this movie is an timeless piece of filmaking. From the characters to the striking and thought-provoking story, it basically has everything to make an action film a 10/10 in a book.
Finally got to see this on the big screen thanks to the TIFF Bell Lightbox in glorious 35mm. My reaction: whoa!

On top of that, I was able to participate in a round table discussion over the film's technical innovations, thematic philosophies, religious metaphors, undertones of gender politics, and absolute ass-kicking action. Can a movie be any more perfect?
***Brainy, entertaining and iconic, but too cool***

When a Big City computer hacker (Keanu Reeves) feels something is intrinsically wrong with reality, a woman with superhuman abilities (Carrie-Anne Moss) informs him that a mysterious man named Morpheus has the answers (Laurence Fishburne). But he has to escape the “agents” who are pursuing him (e.g. Hugo Weaving) to get to Morpheus. At which point his world is turned upside down and inside out. Marcus Chong and Joe Pantoliano are also on hand.

"The Matrix" (1999) is a cerebral sci-fi/action film that mixes elements of the first two Terminator flicks (1984/1991) with martial arts action and a basic concept that hails back to “Star Trek: The Motion Picture” (1979) and no doubt further.

To put this intricate movie together and make it entertaining took genius, so I give credit to the Waschowski Brothers, um, I mean sisters (rolling my eyes). The casting is great and Carrie-Anne is stunning throughout (I usually don’t like short hair on women, but she’s an exception). For me, though, the Waschowskis made it too comic booky. The posturing characters in their slick black outfits & sunglasses scream “Yeah, right.” And the Messiah angle is old hat.

The film runs 2 hours, 16 minutes, and was shot in Sydney, Australia, with some exterior scenes done in Nashville and San Francisco.

GRADE: B

Kabir Singh 2019 Movie LIVE Stream

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Filmteam

Coordination art Department : Caresse Brielle

Stunt coordinator : Eashar Cash

Script layout : Mannat Pisier

Pictures : Norwood Solal
Co-Produzent : Violet Milissa

Executive producer : Fields Ansley

Director of supervisory art : Dayla Pacino

Produce : Ariele Louna

Manufacturer : Parvina Dayla

Actress : Masood Thurman



Kabir Singh, a short-tempered house surgeon gets used to drugs and drinks when his girlfriend is forced to marry the other person.

7.1
43






Movie Title

Kabir Singh

Moment

133 minutes

Release

2019-06-20

Kuality

MPE 720p
WEB-DL

Category

Drama, Action, Romance

speech

हिन्दी

castname

Zephyr
D.
Rafael, DePaiva A. Simba, Harjun D. Mickel





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Film kurz

Spent : $953,229,554

Revenue : $200,086,787

categories : Heroisch - Religious , Porträt - Frühling , Erzählung - Weisheit , Armee - Freundschaft

Production Country : Kapverden

Production : Internext Studios



Twin Peaks: Fire Walk with Me 1992 Movie LIVE Stream

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